Lengkung top uses Copper-stamp-Indonesian-batik, known as Batik Cap, on texturized viscose. it is embellished with hand-sewn beads to add richness to it.

Papan skirt, a color block pencil skirt in silk.

Material & Color-Blocking of the top is an introduction of the Zero Waste concept, that applied frequently in our design. Dinding Top is made of all-silk fabrics. The same concept is also used on Teduh Hooded Scarf.

Pendek shorts is made of Copper-Stamp-Indonesian Batik, Batik Cap, with hand-sewn beads embellishment

Mahkota Top is an asymmetric piece with knotted and ruffing detailing, embellished with hand-cut textile leaves.

Tumbuh Blouse reimagines the lightness of the wind that touches the leaves of the Maiden fern. It was made with the weightless tule and decorated with silk leaves.

Tangkai Pants is a versatile high-waisted pants, with bootleg silhouette.

Inspired by the Lady Slipper vine, this earring embraces the idea of up-cycling and zero waste concept.

Hand-painted Indonesian Batik, Batik tulis, on viscose is paired with jacquard silk and soft tule panels

This weightless silk of the Suplir blouse is decorated with embroidery and hand-cut silk leaves in the form of Maidenhair fern, know as Suplir in Indonesia.

Merona top is an up-cycled item, worn underneath the blouse.

Adhimiharja’s Kuncup skirt is using Kembang Waloh, a classic pattern from Tuban, East Java - Indonesia, mixed with silk jacquard and soft tule and enriched with colorful crystals.

Melambai dress was cut in a bias-cut technique. The asymmetric high slit detail gives a subtle sensual feeling to this versatile dress. A row of Art deco metal buttons are placed on the side of the dress to replace the industrial zipper closure.

Silk jacquard transparent pants is offered in Adhimiharja’s classic cut.

A breeze of nothingness is also presented in our tule gloves

Drapery on the back of the dress is accompanied by the multi-purpose accessory, Menjuntai necklace/ belt.

The up-cycled Merona top is paired with Tumbuh Top and Hembus Pants.

Adhimiharja’s reversible bucket hats, Ember Hat, and Keresek Bag, were made from the left over fabrics.

Double sided silk embellishments were individually cut and applied to the classic Organza Keresek bag.

At Adhimiharja, nothing is thrown away easily. We use the leftover fabrics to create our own embellishments, one of many ways to replace plastic sequins and beads.

This body-friendly-silhouette dress can be styled in different ways, due to its clever design. Rimbun dress is made with viscose Indonesian Batik Cap, decorated with embroidery and hand-sewn silk embellishment.

Teduh hooded scarf is a hybrid of a triangle scarf with a Capuchon and is reversible.

Batik Cap meets silk embellishment and tonal embroidery on texturized, Dobby, viscose.

Each line is hand drawn with wax on Hand-woven cotton, and then dyed in Indigo. The wax will then removed by cooking the fabric in water. Once the wax is removed, the pattern will appeared as shown. Cowal-Cowel, the batik maker calls it.

Look at that labeling, that uses palm leaf. Isn’t it beautiful?

A flowing unisex coat with its Suplir- inspired decoration, a perfect piece for the summer, is paired with Adhimiharja Essential pants in Batik Tulis.

ADHIMIHARJA

Fashion Photography : Colleen Mescole

Hair & Make-Up: Reena Kumari

Models: El, Chanel & Leander

Stil photography: Y. M. Adhimiharja & Detlef A. Fromme

Video: Colleen Mescole

Video-Postproduction : Sapta P. Soemowidjoko

#meetthemakers

Y. M. Adhimiharja / Detlef A. Fromme / Prama A. Adhimiharja / El Loftie / Frau Pawlik / Bu Srie / Teh Lisna / Bu Epon / Elsa / Dwi / Batik Komar / Wafi / Pak Jaery / Kang Raka / Mang Cecep / Ibay / Doni